Sunday, June 2, 2019

Culinary Tourism in Poland—Window and Mirror

Elzbieta, Pietr, Lucy
In May of 2019, I had the honor and privilege of giving the keynote address for the culinary tourism conference in Warsaw at Vistula University. Invited by Dr. Pietr Dominik, I spoke on the evolution and revolution of culinary tourism, and had a fascinating two days of listening to papers and discussions. I was struck by the blend of theory and practice and by the mix of scholars, tourism professionals, and policy makers (many individuals seemed to be all three also). It was eye-opening also to see issues discussed in the US as theoretical ones, discussed with real case studies and practical implications, such as authenticity, intangible heritage, regional foods, national identity, the marketing of everyday, “mundane” foods. (I’ll discuss those issues in another blog on a Polish bread, Obwarzanek, that is a symbol of Krakow and can be described as a wreath bagel.) A summary of the conference is available in Polish (which I cannot read), but I hope to get a translation.

obrawaznec
obrawaznec
The other part of my trip to Poland was an invitation from Elzbieta Tomczyk-Miczka, a scholar and tourism professional who invited me to Krakow for 5 days prior to the conference. Elzbieta was familiar with my work on culinary tourism, had written about it and taught it at the university!! (This to me is the highest compliment possible for scholars--that people find my work useful.) One of the points from my work that she emphasized was the idea that although culinary tourism can be a window into other cultures, it is actually more of a mirror onto one’s culture—foods noticed by a tourist as exotic and strange show what his/her own culture does not have. 

Smoked cheeses

Elzbieta’s invitation gave me to chance to put this idea into practice. She arranged tours and guides for me (churches and sightseeing in Krakow, the Salt Mine, the Krakow Jewish ghetto and museum), took me to food festivals (obrawaznec festival, a women’s collective food fair exhibition), a farmers market, a pierogi making class being filmed by Russian television, drove me to the Pieneny mountains where, with her son, Rudy, as my translator, I took a raft ride down the river with Gural mountain guides and visited shepherds making cheese and herding sheep (including disobedient lambs who kept leaving their mothers’ side to greet humans), and even included me at a family dinner (pasta made by the teenage daughter—similar to my own family meals). And she fed me! Lots of new tastes that showed the diversity of Polish food culture. (We even stopped at McDonald’s in order to do a menu comparison and get sweet potato fries and coffee—very exotic for both of us!) Her colleague and friend, Barbara Tekieli, then continued the hospitality in Warsaw, arranging tours for me of the “old town,” the Polin Museum (on Jewish history), the Vodka museum, and on Saturday, visiting a variety of farmers’ markets and restaurants with historian-tour guide, Agnieszka Kuś (https://agnieszkakus.pl), who was able to give me cultural perspectives on a number of questions. (Barbara drove me to the airport, too, on Sunday—true hospitality!)

Pierogi with lemon sauce, Warsaw, 



Fried cheese with cranberry sauce

So what was exotic to me? A number of foods: lamb sweetbreads, pickled herring, sour soups, blood sausage, other varieties of sausage, beef tongue, snails, horsemeat tartar, trout tartar, any kind of tartar, small “cranberries” made into preserve used on sausages, pickled herring, smoked cheeses, lard spread on bread, rhubarb juice, obrazanec (bagels), edible flowers, vodka, pickled baby squash, pierogifilled with soft cheese, small jelly doughnuts (paczki), and smoked prunes. Some of these are distinctive but not unusual to Poland and eastern European food cultures, while some are specialties of Polish regions. They were new to me, however, because of my background as an American of British heritage born and raised in the South and in east and southeast Asia. Now that I have lived in the eastern Midwest for several decades, Polish American food is no longer unfamiliar, but it’s not a part of my daily eating. I also learned about it when I made a short documentary on Polish food in the Toledo area (https://foodandculture.org/about-food/food-and-culture/polish-food-traditions/) and was told that what survived is mostly the dishes brought by laborers and farmers, rather than the foods of the educated elite Polish immigrants. 

Kielbasa stand, Market Square, Krakaw
Paczki
Kielbasa are oftentimes grilled along with hot dogs, bratwurst, and Italian sausage, and stuffed cabbage rolls (galumpki) are frequently on down-home restaurant menus as “pigs in a blanket.” Pierogiare not as common but are becoming so, usually filled with potato and cheese, especially in cities with large Polish populations. I knew about pierogis from my friend Emily, who invited my children several times to a family pierogi making party. I also knew of special holiday foods: Oplatki wafers for Christmas Eve and paczki for Fat Tuesday, marketed along with Mardi Gras king cakes and St. Patrick’s Day cupcakes with green icing for the period up to Lent when it was traditional in Catholic cultures to use up all the fat and sugar before then.

Edible flower salad
Sour Rye Soup
What I tasted in Poland was much more diverse—and delicious! These foods reflected the history of Poland as a crossroads between the east and the west. Trade, invasions, and migrations brought numerous culinary influences through this area, and class differences, as well as urban rural contexts shaped Polish food culture. Food can be used to “read” all of those influences, and in that way, food can be a window into the culture. But it is also a mirror in that it shows the ways in which that richly varied food culture became homogenized and whittled down to just a few “ethnic “dishes as Polish immigrants became established in the U.S. It is also a mirror for me personally because it highlights what my own culinary universe has not included in the past. That will change, though, now that I have experienced the wide range of Polish foods. Some are more to my taste than others, but they are now familiar to me, and I will relish them when I get a chance to—along with the memories of the wonderful friends I made in Poland.

Friday, April 12, 2019

Hard Cider in Madison, Wisconsin--Global Perspectives, Local Connections

Hard Cider in Madison, Wisconsin--Global Perspectives, Local Connections

 Like many Americans, cider to me always meant the juice pressed from apples. I didn’t realize until I travelled in Ireland and Spain, that to the rest of the world, cider is an alcoholic beverage made from fermented apple juice. Usually called “hard cider” in the US, it actually has a long history in the nation. Along with beer, it was usually preferred over plain water as more nutritious and possibly safer, holdovers from European customs. These traditions died out with prohibition (1920-1933), and orchards producing the more bitter cider apples were destroyed. Sweeter apple varieties for eating were developed, and cider became the “sweet cider” associated with the Autumn season, trips to apple orchards, and fall festivals.

That is now changing. Hard ciders are now becoming easily available, and a surge of small-scale artisanal and locally-based cideries are making the beverage better known. Madison, Wisconsin is one location where excellent cider can be found, and I spent a week in April exploring some of them. It was well worth it. The ciders were not only tasty; I also learned how complicated it is to produce it and how varied are the motivations and experiences of the people making it. 
(A note here—I did not get a chance to try all the ciders being made in this area, and I apologize for those not mentioned here. These 3 represent 3 stages in cider making: growing the apples, making the cider, and consuming it.)

Interestingly, all three of the makers interviewed had been introduced to hard cider in Europe. All had travelled extensively, then started making hard cider in southern Wisconsin that replicated the ciders they had enjoyed elsewhere. That’s not a knock on the American cider tradition. Experimentation with apple varieties was a hobby of some famous early Americans—George Washington relaxed by pruning his apple trees, and Thomas Jefferson developed at least 18 varieties of “cyder” apples.
One thread in the current cider revival is this connection to American history. The apple itself tends to be thought of as all-American, and many people assume that it is indigenous to the continent. Johnny Appleseed is a familiar legendary figure, so imbibing the beverage seems to be a way to participate in history—or, a good excuse if one is needed. 

Taste, however, is one of the driving forces for the makers I spoke to. All three were exposed to the drier European ciders and wanted to reproduce those. Plus, hard cider seemed like a product that would allow them to combine their values with a potential business opportunity. Those values include a passion for the land, a love of the outdoors, and a commitment to local communities. 

 
The Cider Farm (http://www.theciderfarm.com) is an orchard and farm near Mineral Point in the “Driftless” area of Wisconsin. Deirdre Birmingham and John Bionchi started hand-grafting with cuttings from English and French
cider apple trees. Unlike the sweeter American apples for eating, the European ones have tannins that give “mouthfeel and complexity” to the cider. Their orchard is certified organic and is a hands-on operation, as I discovered walking with Deirdre while she checked on young saplings and a ditch being dug. The cider itself is made in Madison and then distributed to select restaurants and groceries in the Midwest. It can also be purchased at their recently opened Cidery and Tasting Room at Brennan’s Cellars in Madison, where I had a sampler of four of their ciders along with an imaginative and delicious radish and turnip dish. The ciders were
delicious, with pronounced differences between the varieties.




Restoration Cider (http://www.restorationcider.com) is located on the east side of Madison. The owner, Paul Asper, met me at the door to a large room where cider is made and bottled. As I watched several employees working, Iwas reminded that this is hard work, especially when a glass bottle explodes from too much carbonation. A “veteran owned” sign hangs on the wall, and I soon learn that Paul is a nurse for the Air Force and helped bring wounded soldiers out of Afghanistan. Afterwards he spent time restoring his spirit flyfishing at streams in rural Wisconsin and now donates 5% of his profits to stream restoration, hence the name of the company. Paul and his wife/business partner, Lissa Koop, discovered cider in northern Spain and fell in love with the taste, and the food and lifestyle surrounding it. They wanted to recreate that experience, but with locally grown apples.
Restoration Cider seemed like a way to pursue their dream and also manage their own business, although they both work at other jobs in order to support it. They would like to grow their own apples and offer a space for tastings, but, for the time being, they have to be satisfied with sourcing from local orchards and making excellent cider. And they have been successfully doing that since 2014. I’ve purchased their ciders at stores in Madison and given samples to friends who swore they didn’t like cider. Restoration Cider usually won them over, much to my dismay since it meant depleting my stock. (Another trip to Madison in the near future!)

Brix Cider (http://Brixcider.com) in Mt. Horeb, also in the Driftless area, is a cidery and family-friendly cider pub that focuses on sustainability. The owners, Marie and Matt Raboin, have

backgrounds in agroecology, and spent time working in Africa. Like the others, they also were introduced to hard cider in Europe and wanted to reproduce those tastes but also connect them to Wisconsin. They did that by starting their own orchard, and, until that produces enough apples, they source from at least 18 local orchards. The pulp left over from pressing apples for juice is fed to pigs at a local farm, and the pork is then used for sausages sold in their pub. Their all-in-one building offers a view of the cider making along with a café and a very comfortable space for socializing and eating—and drinking cider, of course. Their website clearly states their vision, letting consumers know that producing cider at Brix is more than just a business venture; it is a statement of values, and an opportunity to create positive change. I paraphrase here: “We believe that cider should be …about the land, the people who grow the apples, the people who drink the cider, and the connections between us all.”



Hard cider might not seem to most people to be about identity and passion, but these three businesses show that it is much richer than seen on the surface. It ties in with American heritage, but also connects us simultaneously with global food cultures and local landscapes. Making cider is a huge investment of time and energy (and money), but the results have positive implications for sustaining local economies, small-scale farms, and a wider variety (and biodiversity) of apples grown. And best of all, those results are delicious! 

Friday, February 1, 2019

MUSEUM OF FOOD AND DRINK (MOFAD) Brooklyn, NY Saturday, Jan. 26, 2019

Occasionally our dreams come true, not necessarily for ourselves, but for others. And looking at things in a broader perspective, it’s good that they have, regardless of who gets it done. The Museum of Food and Drink (mofad.org) is one such dream. I was able to explore MOFAD this past weekend, and the experience was as intriguing, enlightening, and delightful as I hoped it would be. 


MOFAD is a non-profit organization that is both a concept and a 5,000 square-foot space in the Williamsburg neighborhood of Brooklyn, NY, the MOFAD Lab, that houses exhibits, food demonstrations, and a shop. The Lab is open only Friday through Sunday, 12-6 each day. General admission ranges from $7 for youth (children 5 and under are free) to $14 for adults and includes a small tasting sample as well as unlimited fortune cookies—a brilliant idea for those who like to have a choice of fortunes. A higher special admission is charged ($17-$25) for a meal that parallels the current exhibit on “Chow: Making the Chinese American Restaurant.” On my visit, the “Chow Down,” included dumplings with a wonderful fried chili topping, noodles, and congee remade to look like an American rice pudding sundae. 

But, I’m getting ahead of myself. The museum is the brainchild of Dave Arnold, a food writer and inventor, who in 2005 asked: "Why isn't there a Smithsonian-scale museum of food and drink?" (There is one now, housed in the American History Museum, plus food is featured at the Museum of the American Indian, the African American Museum, and the Festival and programs by the Office of Folklife and Cultural Heritage.) He started working on his vision in 2011, was joined in 2012 by Peter Kim as executive director and volunteer Emma Boast, and opened a “museum on wheels” in 2013 that displayed an exhibit on cereal and held roundtables on food issues. The MOFAD Lab space opened in 2015.

The Museum’s motto is an idea most of us can applaud: “Food is Culture.” In their own words, it “ brings the world of food to life with exhibits you can taste, touch, and smell. We inspire public curiosity about food, what it means, and how it connects with the world around us.” The exhibits focus on different themes, including an installation on chickens, the puffing machine for turning grain into cereal, some miscellaneous artifacts and posters, and the extensive current one on Chinese American restaurants.
 
Just as the promotional material claims, this last exhibit successfully “celebrates the birth and evolution of Chinese American cuisine, tracing its 170-year history and sparking conversation about food culture, immigration, and what it means to be American. “ Entertaining, educational, and full of information clearly presented, it goes far beyond celebration, offering a history of Chinese Americans through their food. It is not an easy history. Like most immigrants, discrimination and racism shaped their initial experiences, and they continue to do so today. The historian Ronald Takaki referred to Asian Americans as “eternally foreign,” and this exhibit demonstrates how Chinese American culinary culture has responded to that perception of foreignness. 

The 1882 Chinese Exclusion Act, for example, denied entry to laborers, but allowed special visas for students, teachers, diplomats, and merchants. In 1915, restaurateurs were considered merchants, and the number of Chinese restaurants quadrupled in some cities. Many of these played up the exoticness of the Orient in order to attract “American” customers and to prove that they were entrepreneurial enterprises—a good illustration of how public policy and popular sentiment shapes a food culture. The exhibit features restaurants, chefs, and cookbook writers that are key to this history.

The exhibit also dissects dishes that have become emblematic of Chinese American cuisine, particularly chop suey and fortune cookies, and includes fascinating summaries of other favorite dishes-- chow mien, General Tso’s chicken, egg rolls, and many others. This adds to the effectiveness of the museum as a whole. It focuses on food, acknowledging that many people know of other ethnic groups primarily through food; then without judging taste or ethics, demonstrates how that food can be a window into the experiences of individuals of that culture. 

I came away from this exhibit with admiration for the endurance, tenacity, and flexibility of Chinese immigrants but also more awareness of the discrimination and “othering” that challenged them—and their culinary culture. From what I could see, so did other viewers, many of who seemed to be young (20s and 30s).Thought-provoking but also enjoyable—difficult orders for an exhibit to attain both. The developers, Emma Boast and Catherine Piccoli, are to be commended, and I look forward to seeing what else comes from this intriguing museum.  

For more information, see: 
MOFAD Lab;    62 Bayard Street;  Brooklyn, NY 11222
(718) 387-2845    
mofad.org